The Master in 70mm only at Hayden Orpheum, Cremorne

-

The Hayden Orpheum Picture Palace at Cremorne will be the only cinema in Sydney screening the new Paul Thomas Anderson film The Master in its original 70mm format.

Director Paul Thomas Anderson filmed 80% of The Master on 65mm stock in the widescreen ratio 1.85:1.

The digital age was meant to be the end of the high-resolution film gauge, which begun as far back as 1928 known as Grandeur and quickly dropped by Fox Films due to it's crippling film stock costs and resistance by cinema operators to install new equipment.

It was not used again until 1955 for Oklahoma as part of the film's distributors to compete with television which was devastating cinema attendances at the time.

There will be selected sessions in 70mm of The Master from November 8-21, at the Orpheum, during the first two weeks of the season only.

For further details check out www.orpheum.com.au


Popular posts from this blog

Home Again review

-
Image
Reese Witherspoon is having a moment and it’s a pleasure to see. It is so satisfying to witness that the actress who gave us the utterly original and terrifying, Tracy Flick, has still so many more surprises for us. That super sharp, full of intensity, scarily Machiavellian high-school girl (perhaps sociopath) promised an actress who does not hold back. Reese commits fully and with real vigour and we have seen this over and over again in roles like Legally Blonde  (the original is still so fun), Walk the line , Vanity Fair and more. Recently the critically-acclaimed and Emmy award winning TV series Big Little Lies which is sensational, as well as her role in it. In Home Again Reese has returned to the romantic comedy genre which she has championed in her career many times and sadly, to some questionable results. I know Sweet Home Alabama  is a favourite among many but sadly it did not ignite me. I am quite fond of Just Like heaven  with Mark Ruffalo (don’t j...
Read more

Interview - The Deep creators, Tom Taylor & James Brouwer

-
Image
Today I have the pleasure of speaking to writer Tom Taylor and artist James Brouwer, creators of my favourite book of recent time , The Deep: Here be Dragons.  In case you haven't heard, The Deep: Here be Dragons is the Aurealis award winning graphic novel from Aussie duo, Tom Taylor and James Brouwer, and the patriotic streak doesn't end there. This book is beautifully presented by the good folks at the independent Aussie comics company, Gestalt. Follow on after the jump and not only will you get an interview with some of Australia's best and brightest but you will get a look at some interior art and an EXCLUSIVE look at an all new piece of art from the forthcoming VOLUME 2, The Vanishing Island. Intriguing?
Read more