Broken Line #1 Review
Aussies
do many things well but subtle isn't always one of them. Far too
often stories taking place 'down under' can descend into a torrent of clichés complimented by the obligatory tracking shot of bounding kangaroos. Australia as a setting has a lot more to offer the world
than what Crocodile Dundee or Baz Lurhman's 'Australia' showcased. My
point being, the Australian setting is one all too easy to get
wrong.
And then there's Broken Line from Gestalt Comics which seems to effortlessly embrace this setting without resorting to any of the aforementioned 'Ozploitation' tactics.
Written by Andrew Constant
with art by Emily Smith, Broken Line #1 bears the high production
values and top notch story telling we have come to expect from
Gestalt.
Issue
one opens with a stunning full page spread of a mushroom cloud,
establishing a sort of post-apocalyptic setting, followed up by a
close up of a rotting corpse almost zombie-like in appearance.
Although both are staples of the post apocalyptic genre I can assure
you the clichés end there.
The rest of the issue plays out a
confrontation, culminating in a sort of destruction derby, between a
leather clad 'kill cop' and the man stupid enough to provoke him. It's
a wonderful marriage between grounded action and cinematic stunt work all
brought to life by Emily Smith's art.
Smith
has certainly toned down the more playful aspects of her artistic
style to instead focus on creating drama and suspense. Tight shots of
hands, feet and facial twitches are punctuated by wide overhead shots
both showcasing the Australian landscape and keeping the pages
visually diverse.
Although
only two characters are featured in this opening issue, they both
look and feel like real people who are part of a larger world. The
aforementioned facial twitches impressed me time and time again. Nose
curls, snarls and squints all look great and facial muscles seem to
react naturally. It's obvious that Smith has a masterful grasp of facial
structure.
Like
Constant's previous graphic offering from Gestalt, Torn, Broken Line
revels in leaving the reader clueless. Plot details are slowly drip
fed through captions and dialogue but even then it's up to the reader
to piece together what's going on from the clues carefully laid out.
The dialogue is sparse but erratic, the action is cinematic but brutal, and
the whole thing is as intoxicating as it is cryptic. After devouring
this first issue I can confidently say I have no idea where the story
is going and I am totally okay with that.
- Christof
Broken
Line #1 is available digitally through Comixology or through the Gestalt comics online store.
I have a copy of this and was very disappointed. I had no idea what it was about or where it it is going. The chase scenes were confusing and the dialogue stunted. Save your money and buy Unmasked instead.
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